In Venise Out In, Julien Carreyn crafts a richly atmospheric and diaristic photobook that seamlessly intertwines urban exploration, personal memory, and spatial documentation. Set against the wintery backdrop of Venice, the book unfolds as both a literal and psychological journey through the city's ever-shifting layers of time and presence. The narrative begins in the quiet predawn hours, with the photographer alone in the labyrinthine alleyways, immersed in silence and uncertainty. As daylight gradually breaks, so too does the tempo of the city: students, workers, and tourists fill the frame, breathing life into Venice's surfaces. At the heart of the book is Palazzo Lezze Michiel, Silvia Fiorucci's historic residence in Campo Santo Stefano, which serves as both the subject and the studio. Inside, time seems suspended-caught between the fading grandeur of the past and the promise of future reinvention. An old wooden boat resting on trestles in the entrance hall, peeling wallpaper, piles of rubble, painted murals, and cold, diffused light evoke a state of transition, mirroring Venice's own fragile equilibrium and timeless beauty.