This is volume 02 of EX Series, a multilingual book series entirely devoted to experimental cinema. The volume analyses the video artwork Grosse Fatigue (Camille Henrot, 2013) as a quest through off and online archives unfolding as a creative process. It considers the artwork as the first example of Desktop Cinema, an emerging genre that is sketched with the help of a broad theoretical toolkit and the input of artists and scholars gathered in a roundtable.