What are, if any, the active components of culture in the present process of reconceptualization and restructuring of the European project that purposely revolve around spatial features? Looking back at the past 30 years after the fall of the Berlin wall in 1989, the following question arises: what role has architecture fulfilled? Did it effectively contribute to the construction of a united Europe? After all, the great virtue of the architectural project lies in its ability to combine the political with the aesthetic, the rational with the emotional, and the local with the national. A consequence of postmodernity was the desire to separate the political and the aesthetic realms; might this legacy be preventing architectural projects from actively engaging in the political process of Europe?