The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first time traces the tombs of the doges from the beginning of the Republic to long after her demise in 1797. It investigates the tombs from a variety of new and innovative point of views, which facilitate a more complex understanding not only of these monuments but ultimately also of the history of Venice and Italy up until the beginning of the twentieth century.